There are no touching angels here, no talk of the lovely, gentle, caring universe that enfolds us all.
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It is also refreshingly free of, for want of a better word, religion. “I’d be homebound, too, if I could get away with it,” she tells a neighboring hermit she reintroduces to the world, to her quick regret. “Take that ‘thank you’ back,” she tells a man whose 20-year sobriety she inadvertently helps preserve. “I don’t help people,” Jaye insists, having accidentally caught a flying baby. “Wonderfalls” is not without moments of warmth and young love, but it distracts you from them as fast as it can. “It’s a lot like drowning that way,” Jaye says.
“Life can be sort of peaceful when you stop struggling,” says Eric, the cute bartender (Tyron Leitso, of “Dinotopia”), who is shaping up, but not too quickly, as a love interest. Indeed, the worst thing that could happen to the show would be for her to surrender to happiness. She is on good terms with her alienation and her distancing irony, and not ready to let them go.
In helping others, you will not be surprised to learn, these women help themselves.Īnd while this is true also of “Wonderfalls,” what raises it above those other shows is that its main character, the spectacularly underachieving Jaye Tyler (Caroline Dhavernas), who has a degree in philosophy from Brown, works in a Niagara Falls souvenir store and lives in a trailer park, does not welcome the improvements.
“Tru Calling,” “Dead Like Me” and most similarly “Joan of Arcadia” are its chronological foremothers, though not its inspiration, and I would include the yenta comedy “Miss Match” (lately missing itself, sadly) as a close cousin.
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“Wonderfalls” comes late in a TV year that offered a plethora of angry young women called upon by supernatural forces to help strangers who do not always know they’re in trouble.
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